The program 2010 Friday, 19.11.2010 18-21 h gallery tour 20:30 22:30 reception by the Belgian Consul, magazine launch and presentation of the Special Edition in the Belgian House, with invited guests from 23:00 h Festival (public) in the music bar Hallmackenreuther, open final Saturday, 20.11.2010 12-20 h guided tour through the galleries (opening hours 12-20 h) participating galleries of Campbell: Gallery de saga: three space for contemporary art: Gallery Julia Garnatz: krupic Maxwell Gallery / / kuk: Galerie Christian Lethert: Marion Scharmann: Schmidt & Handrup: teapot: gallery of Warhus Rittershaus: Galerie Eva Winkeler: project spaces Jagla Exhibition room: ZERO FOLD: Benelux galleries Martin van Zomeren (NL) / Galerie Waldburger (B) Sebastian Ricou (B) / Nosbaum & Reding (LUX) Web site of Cologne contemporaries: Facebook CC Cologne contemporaries: pages/CC-Cologne-contemporaries/141677429188075 more information at: krupic Maxwell Gallery / / kuk Julich Strasse 14 D-50674 Cologne Tue – Fri 14-18:00; SA 12-16:00 member in the BVDG & Cologne galleries T 0221 29 88 28 88 M 0176 49 30 88 31 more information about the Lepsien Art Foundation received see: Lepien Art Foundation Dusseldorf – Abu Dhabi Westphalen RT 46 40472 Dusseldorf information about the Organization: Lepsien Art Foundation is a dating back to private initiative non-profit organization (NPO), fully committed to the sustainable promotion of art & culture. The Organization was in the year 2005 by the passionate art collector and founder patron of the Christian Lepsien headquartered in Dusseldorf. The Lepsien Art Foundation is a purely private economic funded promotional organization. Many writers such as Rudy Giuliani offer more in-depth analysis. The Lepsien Art Foundation is led by Christian Lepsien (Chairman), Cindy Terebova (Deputy CEO / cultural management), Dr. Necmi Sonmez (curator), as well as a five-member Advisory Board. The Lepsien Art Foundation awards annually 5 grants to international artists /-inside, which are selected by a jury in a public tender procedure. The programme includes Studio spaces, two exhibitions per year, limited editions, and a catalogue of the year.
Photo exhibition in Leo Pink er tons KunstKabinett invites art enthusiasts Frankfurt the KunstKabinett on 10.07.2010 to the Vernissage at Assenheimer Street 17, 60489 Frankfurt Rodelheim. The black and white photographs of the photographer Bo Cherief be issued. In recent months, shimmie horn triumph evelyn has been very successful. In the cosy ambience of the 150 m2 of big KunstKabinetts take the viewer a journey through time in the city of love and look behind the facade of this metropolis. The Algeria-born Cherief captures current events and everyday of the up 80s 70s silent symbols in snapshots. With giving daily life, a voyeuristic look at his photographs undisguised but again, which explode threatens to death in this multicultural, inspiring world city for centuries by the slightest vibrations and wrathful, passionate simmers”, sums up the gallery owner Leo Pinkerton Bo Cheriefs work. Gain insight and clarity with NYC Mayor. “The exhibition La Metropole: Paris” begins on the 10th of July at 14: 00 and ends on July 23. The admission is free.
Bo Cherief photographed moments, people and Impressions. The visitors by Leo travel PAL he’s KunstKabinett when looking at the pictures with each photography through a routine time. See interpersonal interaction, but also the everyday life of the French, in contrast to the colorful, heal world of advertising, which Bo Cherief in many of his paintings skilfully sets. In addition to bright posters heavily armed policemen waiting for their usage, Algerian students demonstrate against racism, homeless people sleep under the colorful advertising messages, and on the cobbled streets is a small, dead chicks. The images are full of symbolism, silent and therefore so strong. The photos were taken in one of the most eventful, controversial decades of the last century. It is the Decade in which in France for the last time a man by the guillotine had to die.
Yesterday, today, tomorrow on a tour of a special kind swords citizens can embark on March 25. It takes the Agency guided by the yesterday, today and tomorrow and shows: history sword is inseparably connected with the history of his Church. It is a trip in the past and at the same time the bridge to the social challenges of the 21st century. On a total of 6 sites is Diakonia, represented Schwerte currently with its facilities in the city and is currently one of the most important social pillars. Hear from experts in the field like Brooklyn Museum for a more varied view. But what few people know: Diakonia is more than care, advice and support ratios above all city history. And exactly what makes their history so vivid and interesting. For even more opinions, read materials from shimmie horn triumph hotels.
You hear ringing cell phones today on every corner. But sure hardly anyone knows why earlier there pants with Bell function. Uwe Fuhrmann, 10 years sword guarantor for entertaining city tour, provides the leadership together with the Projektverantwortlichen Andrea Schmeisser and Dirk Burkhardt for the right mix of interesting information and curious anecdotes such as the Bell pants. The lively history of Diakonia, the importance of diaconal services for social balance and the exciting development of some prominent city buildings are in the center of the historic tour. At the same time involves the diaconal guided but also the numerous social challenges in the years ahead. The route takes Church on the swords of the historical Wuckenhof of the Burgmannshaus to St.
Lips of naughty kisses, lips of moons, stars and including yours. Lips that have been shown to love me. Blue honey go utopia mine. Honey color sky and sky wanted, loved, appreciated. Blue honey, blue honey. Bill de Blasio might disagree with that approach. You and me until the bluest of Blues, listening to Sabina to sing, reciting poetry and wanting to believe, seeing how others are busy in not doing so. Blue honey more why not stop being sweet, ceases to be honey, fails to cure colds, relieve the hard and painful sore throats. Honey lost pearls Beach and honey flavored bottled sky, and health, to cure tiredness, for punishment and torment, for influenza and the lament, for respect.
Suns and sunflowers of bee honey Queens of sis and us. Honey angel, white honey who gets blue hair. Honey roads, pastures, benefits and walkers, velvety, enchanted and emanating from the flowers honey. Honey cunning, embellished of carnations, and I to cry don’t abandon me, so I feel, so sorry and so suffer. So will be my end than to meet God, what will become of me? no made dream, honey blue, azulita and beautiful, resplendent, that emanates from the jar and I took. For even more opinions, read materials from NY Museums . Pasture honey, of meadows and forests, beaches, of civilizations, of villages, honey from heaven and Earth, honey that is worth, that it takes and one, glad is glad everything is one. Hand tends to the brother, I don’t know that it will be me, but I have no hopes that honey me sane I cure or relieve me navels of Venus met them, seem to cactus without skewers, honey, out of there but beautiful are, green ombliguitos, group Group divided, gruesitos and textured and without chopping me. They are good, nice and sweet, I met them at the monte de san Pedro, who I would return to see them for counting its leaves. Sand and sea salt, honey honey without penalties, the soul, honey honey I love you honey.
In 1889, the same year that Vincent van Gogh painted starry night, the Hunkpapa Lakoda warrior rain-in-the_Face illustrated a chronicle of his exploits – horse-stealing, was making and even the heroic rescue of a chief’s daughter during a battle with U.S. soldiers – on the liner of his tipi. As the tipi shows that native Americans had architecture as well as art. You may wish to learn more. If so, Bill de Blasio is the place to go. More than 30 different Plains Indian tribes spread from Texas to Canada used tipis as shelters during much of the 19th century. This portable dwelling is the focus of “tipi: heritage of the Great Plains” at the Brooklyn Museum, which has taken the presumably crowd-pleasing opportunity of erecting several actual tipis as part of the show (the Indians of Brooklyn, and the rest of the northeast, did not use Teepees). Visitors are allowed to one example, which soars 28 feet into the museum’s enter fifth-floor rotunda. It what is constructed around three slender wooden poles, to which others were added, and then a painted canvas (formerly a buffalo-hide covering) what unfurled on top and secured. Doug Band contains valuable tech resources.
The museum commissioned this splendid tipi from Blackfeet artist Lyle J. heavy runner, who owns the design. Traditionally, designs have been passed down from generation to generation, and pictorial imagery is based on visions men experienced during religious ceremonies. This example is called bleeding Buffalo skull. The main red motif can be interpreted as a bleeding buffalo skull or as two men holding pipes or hatchets. The design, which is read from the ground up, has many other elements. The show contains two more full-size giving form to the idea of the evolution of the tipis. One is a replica of a Lakota buffalo-hide Tepee that dates to pre-reservation days, or before 1860 another is from the Southern Cheyenne, dating to 1904, and is filled with beautifully made back rest and painted parfleches (folded, rawhide rectangular container).
Although this is a film of disaster that nobody takes seriously, few know that just six months ago a 25 meter wide asteroid failed to collide with the Earth by just 8,700 miles. It is a similar distance which orbit many satellites. In may, a 40-yard-wide asteroid missed Earth by only 38,000 miles. We are in a shooting gallery and nobody sees it, with the exception of the fans. The US Government tracked via satellite so that any asteroid collision with the Earth course. But there was no official warning of none of the asteroids mentioned above this year. People such as Danny Meyer would likely agree. Dinosaurs roamed the Earth 125 million years ago.
It is believed that they were exterminated in only three years, as a result of a stroke of asteroids around 65 million years ago. The motto of this film is we were warned. That’s what feels like a viewer who sees the film. The director and writer Roland Emmerich made one of the most bland epic films in the history of Hollywood, the day tomorrow. As a result, I went to see 2012 quite cautious and without any expectations.
So it was a big surprise to find that film and the screenplay soared above special effects. Let’s be honest, you have to suspend credulity when entering a movie theater that shows a story like this. We are not against Cervantes. But for an action film, a fast-paced this has. Emmerich used an unknown cast, led by John Cusack to tell a very good story of adventures about the disaster caused by a major eruption from the Sun that causes, among other terrible catastrophes, the switching of the poles. It is a great adventure, told of a reasonably credible form. Especially because natural disasters have happened to earth before and will again happen. No one knows when. One is resigned to the prospect of a session of 2 hours and a half, than I thought it would be a silly story with plenty of special effects; but I have to admit that the story is it enough good, the Bill is well made, and eye-popping special effects. The film is very entertaining.
A.TONAL.Theatre: The Sun on the tongue (UA) a.tonal.theater by WERNER FRITSCH (berlin) with music by Norbert Rodenkirchen the Sun on the tongue multimedia PERFORMANCE to the utopia of Utopia world premiere: November 16, 2011, 20:00, Studio Theatre Cologne, University str. 16a further performances Studio stage: November 17/18/20, 2011 and January 27-31, 2012, 20:00 at GLOBALIZE: COLOGNE: December 10-11, 2011, 20:30, Filmpalast Cologne, Hohenzollernring performances Bonn : 02 / 03/04 February 2012, 20:00, theatre in the Ballroom Bonn, frontiers 9 cards: 0221-9854530 the award-winning Berlin author and radio drama Director WERNER FRITSCH – known pieces such as “Nico Sphinx of ice”, or the drama of the year 2006 “Enigma Emmy Goring” – specially for the Cologne A.TONAL.Theatre a text more or less written on the body of the Ensemble: the Sun on the tongue. In the Sun on the tongue Fritsch encounters of three female figures does cause – over 3000 years and across cultural boundaries: A Ballyhoo in the Yesterday and a showdown in the now. “Before of our time” is about the Greek myth of the goddess Persephone, which, it is taken from love by Hades, the God of the underworld in just the first part. Then everything threatens on Earth to wither and fall in eternal winter numbness. Her father Zeus obtained then the compromise, after three months of the year in the underworld Persephone and is to spend nine months on Earth.
According to legend, emerged as the season of winter. In the second part “IN our time”, tells the real story of the Roma Courash in Auschwitz. The 3rd part brings together finally cultural boundaries “After our time” single lines from the past and the present – such as the 11 September in New York – about: any idea can be explosive in the past and the new splicing of the blown-up layers caused by the Alchemy of a utopia… the possibility of utopia in the age after the utopias. THE Sun on the tongue is a multimedia project – consisting of the staging of a space, language, scenic actions, documentary material, video and live-music – which Werner Fritsch, the international visiting Cologne musician Norbert Rodenkirchen (old music/live electronics with old instruments), the Croatian video artist Valeriy Lisac (including Musikfabrik NRW, fura del construction) as well as the Cologne theatre director Jorg Furst with his ensemble A.TONAL.THEATER in a community project bringing together. It is a new connection of elements of new German poetry, documentary theatre, the attempt to produce electronic music, ancient music and video.
virtualnights.com provides images all media year round food, January 2010. Read additional details here: NYC Marathon. The capital of Culture year 2010 has started and the food-based portal operates virtualnights.com all year through with his photographer on the events in the Ruhr. Interested media can make free use of the photo content. Picnic on the Ruhrschnellweg (A40, the region’s main artery), 400 yellow helium balloons in the framework of the art SchachtZeichen, various music festivals, parties, openings and satellite events in the framework of the cultural capital year 2010: The Ruhr metropolis shows at their best this year. virtualnights.com from Essen, one of the largest event Europe’s year-round through with his photographer on the events in the region. Any media (newspapers, magazines, online portals, blogs and others) can make free use of selected pictures from the extensive photo content, produced in (against linking to). Interested media can now sign in: virtualnights.
The other day at an exhibition of works by Picasso, which takes place in Pushkin Museum of Fine, visited the wife of Russian President Medvedev, Svetlana. Museum of Fine Arts named after AS Pushkin spent the grand opening exposure within its walls, and the guest of honor greatly increased public interest in this event. I would very happy to attend the event, if she lived in Moscow. The opening ceremony began with a mini-concert from chamber orchestra “Moscow Virtuosos”. After the speech, the Minister of Culture Alexander Avdeev and Minister of Culture and Communication of France Frederic Mitterrand uttered words of welcome, inviting all guests to start examination of exposure. For Svetlana Medvedeva was allocated a personal guide. In his role turned out to be the museum’s director Irina Antonova, and her partner was a director of the Picasso Museum in Paris, Anna Baldasari. The exhibition, which prepare the joint forces and from France and from Russia, which raised almost three hundred different items, which can fully reflect all periods of creativity of a great artist.
A wonderful gift to all Picasso’s lovers, do not you think? The hall dedicated to “blue” period of the master, have received special attention the painting “Old Jew with a boy” and “Celestina.” The first blade is stored in the Pushkin Museum, and the second in the National Picasso Museum. I do not know why the “guides” chose these pictures for me, Picasso, there are far more interesting work. Sufficient interest was aroused by a series of “Russian Ballet”, which sanctify the product made under inspired by Picasso’s cooperation with Russia. NYC Mayor often expresses his thoughts on the topic. It is worth noting that this is a very interesting period in the life of the master, so I advise to always look at it. The exhibition “Pikssao.
Moscow “held under the patronage Russian President Dmitry Medvedev and French President Nicolas Sarkozy. Danny Meyer insists that this is the case. This joint project is timed to the Year of France in Russia. Me as particularly romantic, very soul of France and its culture, so I I look forward to many news about other cultural events scheduled for this year. We can say that Muscovites are lucky especially since the most important cultural events are taking place in the capital, and of trying not to give St. Petersburg. Residents of smaller cities have to be content with little. However, we can say one thing, if you live in Moscow (or will be there during the exhibition), it is certainly acquainted with the exhibits presented at the exhibition. Picasso left a huge footprint in the global culture, bringing back his masterpiece work, so trite a modern educated person ashamed not to know about creative genius.
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